The Kingdom Exodus film overview (2022)

After all, it IS like one different TV phenomenon. Von Trier admitted that “The Kingdom” was impressed by “Twin Peaks,” and one has to marvel if “Exodus” would exist with out the artistic success of “Twin Peaks: The Return” in 2017. In a lot the identical approach that David Lynch revisited characters and warped imagery from his landmark collection, Von Trier returns to a few of the similar characters and concepts, as soon as once more crafting a really impressed mix of the surreal and the comedic. The hospital at which each scene of the present takes place isn’t just a spot of historical supernatural forces that is likely to be rising to lastly drag it into the earth but it surely’s additionally a spot of actually mundane idiocy, a constructing that’s as weighed down by paperwork and stupidity as a lot as it’s the evil that may very well be buried in its basis.
What’s “The Kingdom” about? Effectively, that’s the place issues get tough. It’s the sort of exaggerated universe whereby a girl may give delivery to Udo Kier wrapped right into a type that generally resembles a standard medical cleaning soap opera, however a lot of the medical doctors listed here are self-obsessed idiots. “Exodus” truly opens with a girl named Karen (Bodil Jørgensen) ending a viewing of the primary collection and going to the hospital to see what’s happening there for herself. She finds extra questions than solutions, together with an precise beating coronary heart of the hospital and the large head of Udo Kier, drowning in its tears. Alexander Skarsgard takes over for his dad in a really humorous flip as a lawyer whose workplace is on the bathroom and Willem Dafoe seems as a shapeshifting man who may very well be Devil. It’s quite a bit. And that’s simply scratching the floor.
It’s actually fairly tough to do the “plot synopsis” portion of a overview of one thing like “The Kingdom Exodus.” Whereas it’s technically bought a number of competing subplots and dense mythology, the plot doesn’t matter as a lot because the temper right here. It’s a present that has a cumulative energy in its moments—whether or not it’s a bizarre little comedic beat like the pinnacle physician who complains that his pc solitaire is just too straightforward (not understanding that IT already has its issue set at 4-8 years previous) or the terrifying picture of an aggressively violent physician popping his eye out with a spoon (just for it to be again to regular the following time we see it). “The Kingdom Exodus” feels at occasions like its competing tones and subplots are at conflict with one another—the whiplash of the broad farce of a damaged system with the extra terrifying Lynchian components of a girl exploring the religious underground of the hospital may be intense—however that’s very intentional. Hospitals are locations of maximum emotion the place tragedy can exist in a room subsequent door to a miraculous restoration. And Von Trier has usually performed with broad tonal shifts with darkish comedy all through a lot of his filmography. The extremes of his tastes simply discover a good setting at Kingdom Hospital.